Film Career · Lighting / Grip
Best Boy (Electric and Grip)
Lighting / Grip · IATSE Local 728 (electric) / Local 80 (grip), LA
- Union
- IATSE Local 728
- Day rate
- ~$300–$1,000/day
- Experience
- 3–7 yrs
What does a Best Boy do?
Each of the two biggest technical departments has a best boy: the gaffer's second in electric and the key grip's second in grip. The best boy manages the truck, the inventory, the paperwork, and the day players, keeping the department staffed and stocked so the department head can stay on set. The title is used for any gender; some crews say best girl or second.
What does a Best Boy make?
- Day rate about $300-$1,000 (union scale around $55 an hour, roughly a $3,300 weekly guarantee), roughly $50K-$150K a year.
- Steady episodic and feature work pushes the high end; the indie floor is around $300-$450 a day.
Film work is gig based, so crew are paid a day or weekly rate rather than a salary. These are realistic 2024-2025 ranges grounded in union rate cards and industry data; actual pay swings with budget tier, market, overtime, and reputation.
Sources & how we estimate pay
Union scale is the floor; the ranges above also reflect market day rates above scale. They are grounded in the following 2024–2025 sources:
Union rate cards & wage schedules
Official guild scale — the floor each craft is paid from.
- IATSE — 2024 Basic Agreement wage scales (PDF) ↗
- IATSE Local 600 (International Cinematographers Guild) — camera rate cards ↗
- DGA — minimum salary rate cards (director, unit production manager, assistant directors) ↗
- WGA — schedule of minimums (writers) ↗
- SAG-AFTRA — theatrical & background rate sheets (cast, stunts, background) ↗
- Teamsters Local 399 — basic feature wage rates, 2024–27 (transportation, locations, wranglers) (PDF) ↗
On the job
- Run the department truck: inventory, expendables, orders, and returns
- Hire and schedule day players as the workload swells and shrinks
- Track the department's paperwork, timecards, and rental agreements
- Bridge between the department head on set and the vendors off it
You’ll like and be good at this job if:
Hard skills
- You know the gear, power, and rigging well enough to order and manage it
- You can run a crew and keep the truck organized
Soft skills
- You are the dependable second who makes the department head look good
- You want responsibility without yet carrying the whole creative call
Career progression
Best boy is the management step in the middle of the craft ladder: electrician or grip, then best boy, then gaffer or key grip. The job teaches the budgeting and logistics that department heads live on, which is exactly why it is the proving ground for the top job.
A typical path, from entry to the top of the craft. Times are rough and vary by market, luck, and how steadily the work comes.
- Production Assistant· 0-2 yrs
~$35K–$55K/yr
~$45K–$130K/yr
- Best Boy (Electric and Grip)you are here· 3-6 yrs
~$50K–$150K/yr
- Gaffer· peak of the craft
~$55K–$180K/yr
How do you become a Best Boy?
You do not enter as a best boy; you get promoted into it. Work as an electrician or grip until a gaffer or key grip trusts you with their truck. Being organized, good with paperwork, and fair with day-player hiring is what gets you the call.
On covered productions, rates, hours, and conditions for the role are set by IATSE Local 728 (electric) / Local 80 (grip), LA contracts.
Covered by a union? The joining a film union guide explains how each one takes members.