Film Career · Script And Continuity

Continuity Assistant

Script And Continuity · IATSE script supervisor locals

Union
IATSE script supervisor locals
Day rate
~$450–$700/day
Experience
1–4 yrs

What does a Continuity Assistant do?

The continuity assistant supports the senior members of the script and continuity department, handling the preparation and follow-through that keep the department moving.

On union productions the position falls under IATSE script supervisor locals, which sets the rates, hours, and conditions the role works within. Like every script and continuity role, the job is hired production by production, and repeat work comes from department heads who trust the name on the call sheet.

What does a Continuity Assistant make?

  • This is an entry or assistant chair, toward the lower end of its department's range.
  • Script supervision is paid by the day or week: roughly $450-$700 a day, $2,800-$4,200 a week, or roughly $70K-$130K a year (IATSE script supervisor locals).

Film work is gig based, so crew are paid a day or weekly rate rather than a salary. These are realistic 2024-2025 ranges grounded in union rate cards and industry data; actual pay swings with budget tier, market, overtime, and reputation.

Sources & how we estimate pay

You’ll like and be good at this job if:

Hard skills

  • You can track continuity, timing, and coverage in detail

Soft skills

  • You have the energy for long days and a good attitude under pressure
  • You are reliable, eager to learn, and happy to start at the bottom

Career progression

The role advances the way most script and continuity careers do: repeat hires from the same department heads, growing responsibility within the craft, and a reputation that travels between productions faster than any resume.

How do you become a Continuity Assistant?

This is a chair you can target directly: productions staff it from applicants with related skills and from people already working nearby on the crew. Get onto sets in any capacity, tell the department what you want, and be ready when a slot opens.

On covered productions, rates, hours, and conditions for the role are set by IATSE script supervisor locals contracts.

Covered by a union? The joining a film union guide explains how each one takes members.

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