Film Career · Second Unit Director Or Assistant Director
Regie Assistant
Second Unit Director Or Assistant Director · Directors Guild of America
- Union
- Directors Guild of America
- Day rate
- ~$3,500–$4,000/wk
- Experience
- 1–4 yrs
What does a Regie Assistant do?
The regie assistant supports the senior members of the second unit director or assistant director department, handling the preparation and follow-through that keep the department moving.
On union productions the position falls under Directors Guild of America, which sets the rates, hours, and conditions the role works within. The role is engaged show by show, and careers in second unit director or assistant director are built on the department heads and crews who hire the same trusted people back.
What does a Regie Assistant make?
- This is an entry or assistant chair, toward the lower end of its department's range.
- The AD department is DGA-covered: 2nd ADs roughly $3,500-$4,000 a week, 1st ADs $5,300-$5,900, and second-unit directors negotiated.
- Roughly $90K-$275K+ a year.
Film work is gig based, so crew are paid a day or weekly rate rather than a salary. These are realistic 2024-2025 ranges grounded in union rate cards and industry data; actual pay swings with budget tier, market, overtime, and reputation.
Sources & how we estimate pay
Union scale is the floor; the ranges above also reflect market day rates above scale. They are grounded in the following 2024–2025 sources:
Union rate cards & wage schedules
Official guild scale — the floor each craft is paid from.
- IATSE — 2024 Basic Agreement wage scales (PDF) ↗
- IATSE Local 600 (International Cinematographers Guild) — camera rate cards ↗
- DGA — minimum salary rate cards (director, unit production manager, assistant directors) ↗
- WGA — schedule of minimums (writers) ↗
- SAG-AFTRA — theatrical & background rate sheets (cast, stunts, background) ↗
- Teamsters Local 399 — basic feature wage rates, 2024–27 (transportation, locations, wranglers) (PDF) ↗
Government wage data
U.S. Bureau of Labor Statistics, for the closest federal occupation.
You’ll like and be good at this job if:
Hard skills
- You can schedule and run a set safely
Soft skills
- You are reliable, eager to learn, and happy to start at the bottom
- You anticipate what the crew needs and stay a step ahead
Career progression
The role advances the way most second unit director or assistant director careers do: repeat hires from the same department heads, growing responsibility within the craft, and a reputation that travels between productions faster than any resume.
How do you become a Regie Assistant?
This is a chair you can target directly: productions staff it from applicants with related skills and from people already working nearby on the crew. Get onto sets in any capacity, tell the department what you want, and be ready when a slot opens.
On covered productions, rates, hours, and conditions for the role are set by Directors Guild of America contracts.
Covered by a union? The joining a film union guide explains how each one takes members.