Film Career · Sound

Sound Director

Sound · IATSE Local 695 and Local 700

Union
IATSE Local 695 and Local 700
Day rate
~$450–$750/day
Experience
8–18+ yrs

What does a Sound Director do?

A sound director leads within the sound department, answering for its output while managing the people and logistics behind it.

On union productions the position falls under IATSE Local 695 and Local 700, which sets the rates, hours, and conditions the role works within. Like every sound role, the job is hired production by production, and repeat work comes from department heads who trust the name on the call sheet.

What does a Sound Director make?

  • This is a department-head chair, toward the top of its department's range.
  • Production and post sound is paid by the day or week: boom and utility roughly $450-$750 a day, mixers and supervising editors far more, plus kit rentals for production sound.
  • Roughly $60K-$220K+ a year (IATSE Local 695 and 700).

Film work is gig based, so crew are paid a day or weekly rate rather than a salary. These are realistic 2024-2025 ranges grounded in union rate cards and industry data; actual pay swings with budget tier, market, overtime, and reputation.

Sources & how we estimate pay

Union scale is the floor; the ranges above also reflect market day rates above scale. They are grounded in the following 2024–2025 sources:

Government wage data

U.S. Bureau of Labor Statistics, for the closest federal occupation.

You’ll like and be good at this job if:

Hard skills

  • You have sharp ears and command of audio gear

Soft skills

  • You make decisions calmly and own the results
  • You can lead a crew, hold a budget, and answer for the department

Career progression

The role advances the way most sound careers do: repeat hires from the same department heads, growing responsibility within the craft, and a reputation that travels between productions faster than any resume.

How do you become a Sound Director?

The path here is internal: the sound department promotes this position from within, based on a track record built in its junior chairs. Start at the department's entry level and let the work argue for you.

On covered productions, rates, hours, and conditions for the role are set by IATSE Local 695 and Local 700 contracts.

Covered by a union? The joining a film union guide explains how each one takes members.

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