Film Career · Editor
Sound Editor
Editor · IATSE Local 700, Motion Picture Editors Guild
- Union
- IATSE Local 700
- Day rate
- ~$60K–$400K+/yr
- Experience
- 3–7 yrs
What does a Sound Editor do?
The sound editor is a working craft position in the editor department on film and television productions.
On union productions the position falls under IATSE Local 700, Motion Picture Editors Guild, which sets the rates, hours, and conditions the role works within. The role is engaged show by show, and careers in editor are built on the department heads and crews who hire the same trusted people back.
What does a Sound Editor make?
- Editorial is paid weekly: assistants roughly $2,000-$3,000, editors roughly $3,500-$8,000, with feature editors negotiating above.
- Roughly $60K-$400K+ a year (IATSE Local 700).
Film work is gig based, so crew are paid a day or weekly rate rather than a salary. These are realistic 2024-2025 ranges grounded in union rate cards and industry data; actual pay swings with budget tier, market, overtime, and reputation.
Sources & how we estimate pay
Union scale is the floor; the ranges above also reflect market day rates above scale. They are grounded in the following 2024–2025 sources:
Union rate cards & wage schedules
Official guild scale — the floor each craft is paid from.
- IATSE — 2024 Basic Agreement wage scales (PDF) ↗
- IATSE Local 600 (International Cinematographers Guild) — camera rate cards ↗
- DGA — minimum salary rate cards (director, unit production manager, assistant directors) ↗
- WGA — schedule of minimums (writers) ↗
- SAG-AFTRA — theatrical & background rate sheets (cast, stunts, background) ↗
- Teamsters Local 399 — basic feature wage rates, 2024–27 (transportation, locations, wranglers) (PDF) ↗
Government wage data
U.S. Bureau of Labor Statistics, for the closest federal occupation.
You’ll like and be good at this job if:
Hard skills
- You know editing craft and software
Soft skills
- You take pride in doing your specific craft well, day in and day out
- You are a dependable team player who makes the department run
The ladder
Related chairs in this craft family, ordered from entry toward leadership:
- 1Assistant Sound Editor
- 2Sound Editor (this role)
- 3Supervising Sound Editor
Career progression
Within this craft family the recognized progression runs from assistant sound editor toward supervising sound editor, with each step earned through set time and the trust of the chairs above. Where this role sits on that ladder is less important than how the editor department works: people move up when the department already believes they can do the next job.
A typical path, from entry to the top of the craft. Times are rough and vary by market, luck, and how steadily the work comes.
~$60K–$220K+/yr
- Sound Editoryou are here
~$60K–$400K+/yr
~$60K–$220K+/yr
How do you become a Sound Editor?
The working route in is through the editor department's junior positions: assist the people holding this chair, learn the standards the department runs on, and take the small versions of the job wherever they are offered.
On covered productions, rates, hours, and conditions for the role are set by IATSE Local 700, Motion Picture Editors Guild contracts.
Covered by a union? The joining a film union guide explains how each one takes members.