Film Career · Editor
Supervising Editor
Editor · IATSE Local 700, Motion Picture Editors Guild
- Union
- IATSE Local 700
- Day rate
- ~$60K–$400K+/yr
- Experience
- 8–18+ yrs
What does a Supervising Editor do?
The supervising editor is a leadership chair in the editor department, responsible for crew, planning, and the department's delivery to the production.
On union productions the position falls under IATSE Local 700, Motion Picture Editors Guild, which sets the rates, hours, and conditions the role works within. The role is engaged show by show, and careers in editor are built on the department heads and crews who hire the same trusted people back.
What does a Supervising Editor make?
- This is a department-head chair, toward the top of its department's range.
- Editorial is paid weekly: assistants roughly $2,000-$3,000, editors roughly $3,500-$8,000, with feature editors negotiating above.
- Roughly $60K-$400K+ a year (IATSE Local 700).
Film work is gig based, so crew are paid a day or weekly rate rather than a salary. These are realistic 2024-2025 ranges grounded in union rate cards and industry data; actual pay swings with budget tier, market, overtime, and reputation.
Sources & how we estimate pay
Union scale is the floor; the ranges above also reflect market day rates above scale. They are grounded in the following 2024–2025 sources:
Union rate cards & wage schedules
Official guild scale — the floor each craft is paid from.
- IATSE — 2024 Basic Agreement wage scales (PDF) ↗
- IATSE Local 600 (International Cinematographers Guild) — camera rate cards ↗
- DGA — minimum salary rate cards (director, unit production manager, assistant directors) ↗
- WGA — schedule of minimums (writers) ↗
- SAG-AFTRA — theatrical & background rate sheets (cast, stunts, background) ↗
- Teamsters Local 399 — basic feature wage rates, 2024–27 (transportation, locations, wranglers) (PDF) ↗
Government wage data
U.S. Bureau of Labor Statistics, for the closest federal occupation.
You’ll like and be good at this job if:
Hard skills
- You know editing craft and software
Soft skills
- You are as comfortable managing people as doing the craft
- You can lead a crew, hold a budget, and answer for the department
The ladder
Related chairs in this craft family, ordered from entry toward leadership:
- 1Assistant Editor
- 2Second Assistant Editor
- 3Associate Editor
- 4Editor
- 5Main Editor
- 6First Assistant Editor
- 7Lead Assistant Editor
- 8Lead Editor
- 9Senior Editor
- 10Chief Editor
- 11Executive Editor
- 12Head Editor
- 13Supervising Editor (this role)
Career progression
Within this craft family the recognized progression runs from assistant editor toward supervising editor, with each step earned through set time and the trust of the chairs above. Where this role sits on that ladder is less important than how the editor department works: people move up when the department already believes they can do the next job.
A typical path, from entry to the top of the craft. Times are rough and vary by market, luck, and how steadily the work comes.
~$60K–$400K+/yr
~$50K–$400K+/yr
~$60K–$400K+/yr
~$130K–$400K+/yr
~$60K–$400K+/yr
~$50K–$400K+/yr
~$50K–$400K+/yr
~$60K–$400K+/yr
~$60K–$400K+/yr
~$60K–$400K+/yr
~$60K–$400K+/yr
~$60K–$400K+/yr
- Supervising Editoryou are here
~$60K–$400K+/yr
How do you become a Supervising Editor?
Nobody is hired into this chair from outside: it is a promotion earned inside the editor department, from the people who watched you hold the junior versions of the job. The route in starts at the department's entry positions and runs through years of trusted work.
On covered productions, rates, hours, and conditions for the role are set by IATSE Local 700, Motion Picture Editors Guild contracts.
Covered by a union? The joining a film union guide explains how each one takes members.