Film Career · Make-Up
Wig Designer
Make-Up · IATSE hair and makeup locals
- Union
- IATSE hair and makeup locals
- Day rate
- ~$546–$1,000/day
- Experience
- 3–7 yrs
What does a Wig Designer do?
The wig designer is a working craft position in the make-up department on film and television productions.
On union productions the position falls under IATSE hair and makeup locals, which sets the rates, hours, and conditions the role works within. Like every make-up role, the job is hired production by production, and repeat work comes from department heads who trust the name on the call sheet.
What does a Wig Designer make?
- Hair and makeup crews are paid by the day with overtime and kit fees: artists roughly $546-$1,000 a day, and department heads $700-$1,500.
- Roughly $75K-$220K a year (IATSE Local 706).
Film work is gig based, so crew are paid a day or weekly rate rather than a salary. These are realistic 2024-2025 ranges grounded in union rate cards and industry data; actual pay swings with budget tier, market, overtime, and reputation.
Sources & how we estimate pay
Union scale is the floor; the ranges above also reflect market day rates above scale. They are grounded in the following 2024–2025 sources:
Union rate cards & wage schedules
Official guild scale — the floor each craft is paid from.
- IATSE — 2024 Basic Agreement wage scales (PDF) ↗
- IATSE Local 600 (International Cinematographers Guild) — camera rate cards ↗
- DGA — minimum salary rate cards (director, unit production manager, assistant directors) ↗
- WGA — schedule of minimums (writers) ↗
- SAG-AFTRA — theatrical & background rate sheets (cast, stunts, background) ↗
- Teamsters Local 399 — basic feature wage rates, 2024–27 (transportation, locations, wranglers) (PDF) ↗
You’ll like and be good at this job if:
Hard skills
- You have hair or makeup skill and a steady hand
Soft skills
- You are a dependable team player who makes the department run
- You like hands-on work and getting the details right
Career progression
The role advances the way most make-up careers do: repeat hires from the same department heads, growing responsibility within the craft, and a reputation that travels between productions faster than any resume.
How do you become a Wig Designer?
The working route in is through the make-up department's junior positions: assist the people holding this chair, learn the standards the department runs on, and take the small versions of the job wherever they are offered.
On covered productions, rates, hours, and conditions for the role are set by IATSE hair and makeup locals contracts.
Covered by a union? The joining a film union guide explains how each one takes members.